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| janet jones | |
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| Janet Jones is a painter who is interested in cultural theory and art criticism. Her paintings, which investigate the spaces of the postmodern city in relation to feminist geography, the techno-sublime and Situationism, have been exhibited across Canada, in New York, England, Germany and France & China. She received her MFA from York University, Toronto, and her Ph.D. from New York University in the area of art theory and criticism. Her thesis, Clement Greenberg and the Artist/Critic Relationship, focused on the political structure of the NY art world and the role played in it by the critic, Clement Greenberg. In 2000 she participated in the Big City Residency and in 1998, the Women and Paint Residency both at the Banff Centre for the Arts. She has been a visiting artist and given papers on painting internationally, in France, England, Russia, China and Cuba. Recent exhibitions/projects include: Artist Project, Public– Cities / Scenes Issue 22, exhibitions at Museum of Contemporary Canadian Art, Toronto, Kunsthalle Erfurt, Erfurt Germany, Faux-Mouvement, Metz, France, Owens Art Gallery, N.B., and Sylviane Poirier Art Contemporain, Montreal, Quebec. In 2003 she was a visiting artist at the Bauhaus, Weimar, Germany, Willem de Kooning Art Academy& Hogeschool both in Rotterdam, Netherlands. Janet Jones is an Associate Professor in the Department of Visual Arts, York University, Toronto. As well, she has been the Director of the MFA Graduate Program in Visual Arts, (1997-2000) and Coordinator of the Fine Arts Cultural Studies Program (1990-93). |
| education 88 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship 79 M.F.A. York University, North York, Ontario. 77 B.Ed. University of Toronto, Toronto, Ontario. Type A: Art, Type B: English. 76 B.F.A. Honours, with Distinction, Concordia University. Montreal, P.Q. |
| solo exhibitions and artist projects 03 Nowhere, Everywhere, Galerie Sylviane Poirier Art Contemporain, Montreal, Quebec. April 2003. 02 Oliver’s Twist. Donation of a painting installation for Winter’s College, York University. 01 janet jones <www.yorku.ca/jjones/> paintingsonline , Fall 2001. 96 Red Head Gallery, Toronto, Ontario. Summer, 1996. 92 Latitude 53 Gallery, Edmonton, Alberta. March, 1992. 91 Durham Art Gallery, Durham, Ontario. September, 1991. - Eastern Edge Gallery, St. John's Newfoundland, July, 1991. 90 Struts Gallery, Sackville New Brunswick, October 1990. 80 YYZ Gallery, Toronto, Ontario. Spring, 1980. 79 80 Washington Square East Galleries, New York, NY.. Fall, 1979. |
| group exhibitions
03 Kunsthalle, Erfurt, Erfurt, Germany, Summer, 2003. 98 Project Room, Banff Centre for the Arts, Summer 1998. 97 Red Head Gallery, Fall, 1997. 90 "Nine from Toronto" Newcastle-on-Tyne University Gallery,
Newcastle-on- Tyne, England, 1990. Participants included Renee van
Halm, Judith Schwarz, & Vera Frenkel. Exhibition Catalogue. 86 "Anima(l)": Three-person exhibition with Landon MacKenzie
and Cynthia Short at the Koffler Gallery, Toronto, Ontario, 1986.
Exhibition Catalogue. |
| reviews & catalogues
05 Bender, Rudiger. Ironic Turn Catalogue. MOCCA, Fall 2005. (Upcoming) 04 CBC Arts News. “Canadian Exhibit Challenges European Conventions”,
<http:://www.cbc.ca/arts March 18, 2004. 03 Elke Kustner, “Ironie verbindet. Erfurt: Neun kanadische
Kunstler”, Thurginger 93 Marriot, John "Sensoria From Censorium, Artist Project - Oliver's Twist ,pp. 11-17, 1993. 92 Beauchamp, Elizabeth Emotional Quality Irresistible", Edmonton Journal, March 27, 1992 91 Scott, Kint Interview , "On Shifting Ground "Exhibition",
CKNX , Sept. 18 and 20, 1991. 86 Hornstein , Shelley "Interstices of Romance",
C Magazine, Spring, 1986. 85 McLuhan, Elizabeth Re-Union, Oct. 15 to Nov. 15, 1985. Art Gal. of York Univ. Exhibition Exhibition Catalogue. 83 Murray, Joan Attitudes, A Wrap-up of Toronto Art at the
CNE", The Art Post, 82 Bentley-Mays, John "New Aspects of New Canadian Painting", Globe and Mail, Saturday, February 17,1982. 80 Carol, Nancy "Janet Jones at YYZ Gallery", Vanguard, March, 1980. 79 O'Brian, John "Janet Jones, York University On Markham", Arts Magazine, April 21 - May11, 1979, Volume 46. 77 Tiley, Jim "IMAGINARY I: Pauline Choi, Clarissa Inglis
and Janet Jones at |
papers presented (selected) 02 Paper Presented Panel: Studio Practice in a Digital World, University Art Association Conference, Calgary, Oct., 2002. 01 Panel Chair: The Spaces We Live In: Paper & slide presentation
on own work: "somewhere, nowhere", UAAC, Montreal, Quebec,
Oct., 2001. 99 Paper Presented 'panorama' on the panel Command Scan: Painting in the Age of Mass Media UAAC Conference, November, 1999. OCAD 98 Panel Chair: Urban Fictions: Artists Re-Presenting the City. CAA
Conference, Feb. 1998, Toronto. 97 Paper & slide presentation on own work: It's the real thing. UAAC Vancouver, B.C. Nov. 1997. Panel Chair: Initiated the panel: The Condition of Painting. U.A.A.C. 95 Conference, Guelph, Ont. Fall, 1995. 94 Paper Presented: "Painting and the Terminal Syndrome"
for, panel Where Is 93 Visiting Professor: Havana and Cienfuegos, Cuba. Presentation:
"Contemporary 92 Slade School of Art - Graduate Painting Area, London, England. 89 Panel members: Rene van Halm, Lynn Hughes, and Landon |
guest artist presentation 03 Painting Feminist Geography: Urban Drifts, Bauhaus, MFA Program
in Public Art. Weimar, Germany, July, 2003. 02 Nowhere Everywhere. Presentation of work, Nova Scotia College of Art
& Design, Nov. 2002. 00 Big City Residency, Banff Centre for the Arts, Banff, Alberta, Spring, 2000. 98 Women and Paint Residency, Banff Centre for the Arts, Banff, Alberta,
Spring, 1998. 95 FA/Visa 5010. Graduate Seminar, Graduate Programme in Visual Arts, York Univ., Winter 1995. 92 Latitude 53 Gallery, Edmonton, Alberta. Winter, 1992. 91 Eastern Edge Gallery, St. John's, Newfoundland. July, 1991. |
| honours and grants received York University VP Research Grant to reapply for SSHRC Creation Research
Grant. |
| art publications Feminismo/s Painting the Spaces of Feminism: Drifting with the Flaneuse Refereed Article, Issue on the flaneuse. Centre for Women’s Studies, University of Alicante Press, Alicante, Spain. (Upcoming Fall 2005) Canadian Art Rewind - Review Blue Republic, Peak Gallery, Summer 2005, Vol. 22, No. 2 (upcoming) Canadian Art Rewind- Review Claus Carstensen, Christopher Cutts Gallery, Toronto, Spring 2005, Vol. 22 No. 1, p. 92-93. Public Appointed member of Public, Advisory Board, Sp. 2004. Made in Canada catalogue essay on Gundi Berghold's work, OCAD Outreach Gallery, March 23-April 9, 2000. Toronto, Ont. Vanguard Magazine Review of Graham Todd Exhibition at McMaster University Art Gallery. Spring, 1984. Artmagazine Review of Bruce Parson's Exhibition at Grunwald Gallery. Fall, 1982. Vanguard Magazine Article: "The Artist and the Museum: Interviews with Artists from across Canada." Summer, 1982. Photo-communiqué Article: "American Vision: Dilemma of the Exhibition." Winter, 1981. Vanguard Magazine Review of American Painting: The Eighties, The Gray Art Gallery, New York, NY, Issue 43/44, Dec/Jan. 1980. Art Magazine Review of David Craven Exhibition at the Sable/Castelli Gallery, Toronto. "Factory 77, a new public gallery." Issue 43/44, May/ June, 1979. Art Magazine Review, Nancy Hazelgrove Exhib., Hart House, # 42. Feb./Mar., 1979. Art Magazine Review, Anat Brink Exhib., Gallery 'O', Toronto. # 42. Feb./Mar., 1979. Artists Review Guest Editor - Vol. 2, No. 5.. Fall, 1978. Artists Review Review, Daniel Kazimierski Exhib., Deja Vue Gallery, Vol. 2, No. 5., 1978. Artists Review Review, Nancy Hazelgrove Exhib., Hart House, Vol. 2, No. 2., 1978. Artists Review Review , Jim Thornton Exhib., Gallery 'O', Vol. 2, No. 2, 1978. Report 10th International Sculpture Conference at York University. Article: “Figurative Sculpture Today." Fall, 1979. |