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January 11 - February 08, 2003

In-Sun Kim | encased | review

>opening Saturday, january 11 | 12 - 6pm






table fragment
29 1/2H x 54 1/4W x 24 3/4D



mirror & table


table


table | 20 1/2H x 44 1/4W x 22 3/4D


loveseat
29 1/2H x 54 1/4W x 24 3/4D

 

 

 

 

In-Sun Kim | encased

Encased presents a new body of installation work by In-Sun Kim Ð a series of furniture pieces assembled from blocks of collated newsprint. The methodical and time-consuming labour involved in the production of each work is the foundation of Kim's creativity and artistic practice, which grows out of childhood experiences on her parents' farm in Korea. Kim infuses the repetitive process of gluing together sheets of newspaper with the same tireless resolve required for tasks such as pulling stems from thousands of dried red hot peppers. Once the newspaper blocks have solidified, Kim cuts them with a saw, sands them, and uses them as building materials for furniture and accessories.

The relentless layering of the glue / graphite mixture with newsprint is both a struggle and a meditation; it is a process that traps the thoughts and emotions unleashed by the creative effort between each successive layer of newspaper sheet. The result is a combination of the predetermined and of the accidental. The surface of the neat blocks of pressed newspaper settles into random patterns resembling the grain of actual wood. The isolated word clusters that emerge after sanding act as mnemonic devices, activating collective memories or imaginative speculations on the events described on the newsprint pages; moments isolated from the historical flow and now permanently encased within blocks of furniture. As Kim's material is transformed from recycled paper to "newsprint block" and finally to functional living room armchair, the fragility of the paper metamorphoses into a new substance that is nevertheless a version of its original form.

Encased is a commentary on the cyclical nature of existence, continually disrupted by moments when time is arrested or locked into perpetual repetition. Kim's objects of furniture trap memory and history; they function in that precarious space between fragility and permanence.

Veronika Klaptocz