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April 30, 2005 – May 21, 2005

Raffael A. Iglesias | 'New Work'- paintings | review

> opening Saturday, April 30 | 2 - 6pm

 

F5 m/m, 48” x 196” 2005

 

F5 m/m, 48” x 196” 2005 (fragment)
(triptych)

m/m, 24” x 38” 2005

Corona’s Revenge m / m 18”x72” 2005 (triptych)

El Indio m/m 48” x 72” 2005

My Corona m/m 36” x 48” 2005

Sstadies (a,b,c,d) m/m 10” x 12” 2005

Los Blue Poles m/m 48” x 72” 2005

New Work | Raffael A. Iglesias has recently begun to reinterpret canonical works of art so as to challenge the ideals of the artist, of history/landscape painting and the trappings of Romanticism and Exoticism associated with such traditions. Identified as “cultural landscapes,” these paintings cull from and cast anew all aspects of the artist’s surrounds and heritage. These works are the result of an inevitable merging between the internal lived experience of the artist and his relationships to other within the urban environment. Iglesias explains:
I am presently working on a series of paintings that challenge the ideal of the landscape and landscape artist. Under the contextual umbrella of cultural landscapes, I fuse elements of street art and contemporary notions of landscape painting. I question, simultaneously, the romanticism of “Ghetto Culture” in Hip Hop and its infiltration of the mainstream boulevards of middle class society. My objective is to turn this paradigm in upon itself by juxtaposing imagery of street and landscape art. By deconstructing images I have photographed of urban scenery, I rearrange them to appear as abstracted scenic paintings. I view street art as a continuum of a living landscape; thus, I translate the graffiti aesthetic, originally from the street, into my work in the studio. By using shiny glossy materials, I hybridize elements and aesthetics of low-rider car art and Latin American poster art. I do this intentionally to give the viewer a recognizable aesthetic - that of advertising, where the intent is to draw the viewer near and in towards the shiny package. I remain playful with the imagery and the content. The work has the appearance of “Bling Bling” on the outside, a hip hop term for the material, good things of life, and the ability to live large and in charge with a sense of grandeur.

Biography
Raffael A. Iglesias lives and works in Toronto, Canada. His mixed media paintings have been exhibited in solo and group shows, including: Elxo, Peak Gallery, Toronto (2004); ALUNCINARTE, in conjunction with the Latin American art festival, gallery 1313, Toronto (2003); Books on the Fence, A Collaboration with Photographer Greg Staats, Epicentro Gallery, Mexico City (2003); Incuentro, Museo de Arte Contemporaneo Art, Santiago Chile (2001); Che, Zsa Zsa Gallery, Toronto (2002); Glyphs, Gallery 401, Toronto (2001); and Last Century Modern, An Exhibition of Toronto Emerging Artists, Spin Gallery Toronto (2000). His art has received critical acclaim in publications such as LOLA and Fuse Magazines and in a short film aired on BRAVO! Video Fact. Iglesias has been awarded several grants from the Toronto, Ontario and Canada Arts Councils, most notably, the Emerging Artist Grant (1999, 2000, 2002, 2003).