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| November 29 - December 29, 2007
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Ornaminimalism Smith's Ornaminimalism arises from the artist's longstanding interest in examining the impact of privileged classes on style and taste that reached its height with Louis XV. She echoes the excessiveness of form that was the hallmark of Rococo and combines it with Minimal art's attention to all over surface. Smith states, "The paintings reflect my view of contemporary society's excessive consumer culture, which contradicts a desire for the simple." Each work is created of two separate laser-cut panels that allow the wall between them to act as a third ornate element. |
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